Home Music Rudresh Mahanthappa’s Indo-Pak Coalition: Agrima

Rudresh Mahanthappa’s Indo-Pak Coalition: Agrima


Rudresh Mahanthappa’s Indo-Pak Coalition: Agrima
Photograph © Ethan Levitas
Rudresh Mahanthappa’s Indo-Pak Coalition is making connections throughout Agrima. This excellent album is like an elegant railway system linking Jazz, folk, Hindustani, Pakistani Qawwali, Middle Eastern music and the chamber music style of the post-serialist and the avant-garde, 21st century conservatoire. If this sounds like quite a mouthful listeners will be delighted that despite the matrix of sound, the music is quite the distillation of it all in the singular voice of this Indo-Pak Coalition. Still, to describe it as such gives the impression of overcooking when in fact the whole project is a masterpiece of subtlety.

Rudresh Mahanthappa’s take on the lineage of the spacy alto saxophone, made cooler with the electronics – by himself and Rez Abbasi – in this music is less than conventional, seeing him summon all of the history of the woodwind’s instrumental tone-textures which float benignly – and sometimes in tongues of tire as well – over the twangy sound of Rex Abbasi’s strings that seem to roll around in melodic progression that feeds Mr Mahanthappa’s long jabbering lines that in its turn adds a rich and not entirely predictable harmonic foundation to the music. All the while both melody and harmony are nailed together by the tattoo of Dan Weiss’ drums or – as in the case of “Alap” on Side A of Disc One, the inspired,rumbling pulse of his tabla.

The surprises, when they come, are effective if discreet: a raga-like riff is played as ostinato melodic invention by either alto saxophone or guitar, alternating with a gamelan-like riff, played as stabbing pizzicato harmonics, a delicate curlicue of a bass line by Mr Abbasi on “Rasikapriya” on Side A of Disc Two underpins what sounds like a keening Gaelic lament and a close-knit passage develops from a single phrase on “Revati” (on Disc Two Side B). The recorded sound balances detail and warmth. All in all, Agrima is definitely worth its weight in gold.

Track list – Disc One Side A – 1: Alap; 2: Snap; 3: Showcase; Side B – 1: Agrima; 2: Can-Did; Disc Two Side A – 1: Rasikapriya; Side B – 1: Revati; 2: Take-Turns

Personnel – Rudresh Mahanthappa: alto saxophone, electronics; Rez Abbasi: guitar, electronics; Dan Weiss: tabla, drums

Released – 2017
Label – Independent
Runtime – Disc One 31:08 Disc Two 29:08

Based in Canada, Raul da Gama is a Canadian poet, musician and accomplished critic whose profound analysis is reinforced by his deep understanding of music, technically as well as historically. Raul studied music at Trinity College of Music, London and has read the classics, lived and worked in three continents and believes that there is a common thread running through every culture on earth. It is this unifying aspect of humanity that occupies his thoughts each day as he continues to write poetry and critique music. His last book was The Unfinished Score: The Complete Works of Charles Mingus, a book that relocated the life and works of the great American composer and bassist, Charles Mingus, to the landscape of poetry. He is currently at work on a poem of some length.


Please enter your comment!
Please enter your name here

This site uses Akismet to reduce spam. Learn how your comment data is processed.