Home Music Jim Gelcer | Paul Hoffert Trio: Jim and Paul play Glenn and...

Jim Gelcer | Paul Hoffert Trio: Jim and Paul play Glenn and Ludwig

Jim Gelcer | Paul Hoffert Trio: Jim and Paul play Glenn and Ludwig
Photographer unknown

Glenn Gould playing any classical composer in a manner that is quite contrary is not so strange given the legendary pianist’s penchant for “disagreeing” with many a composer’s musical “directions” when it comes to a piece. However, Jim Gelcer and Paul Hoffert never “hack” it through their Beethoven. Nor, for that matter, did Mr Gould despite his bizarre and eccentric performance of the First Piano Concerto of Johannes Brahms, with The New York Philharmonic Orchestra where he and its music director, Leonard Bernstein famously publicly disagreed before the concert of April 6, 1962. In fact, if anything, Mr Gelcer and Mr Hoffert are quite reverential despite “simplifying” some of Beethoven’s iconic works giving them a swing and, therefore, broader appeal to something constituting more than a salon at which the “Ludwig” of this recording might have premiered them a couple of hundred years ago.

Of course it pays to have audiences with more open ears today. It also pays to have someone like flutist Bill McBirnie join you on the “Moonlight Sonata” a.k.a. (here) “Moon Light” and then again on the adagio of “The Emperor Concerto” a.k.a. (here, again) “The Other Fifth”. It also pays to have George Koller, whose prodigious musicianship as a contrabassist lifts every work on this disc whether in pizzicato harmonics or con arco, or simply in the manner in which he brings his virtuoso playing to ensemble playing with this trio. Ifield Joseph’s guitar also sparkles and fizzes on “VitaminB51”.

And if at first the word “vitamins” might seem at odds with Beethoven’s music, the swing of delight with which all of this music is played more than smooths over the furrowed brow. Moreover, everything rights itself in the end with a sparkling version of “The Moonlight Sonata” because Mr Hoffert, Mr Koller and of course Mr Gelcer swing their way through the work with an elegance that reverberates through Mr Hoffert’s use of pedal and Mt Koller’s sinuous plucking and Mr McBirnie’s gloriously brooding flute.

At the end of it all one is left with a recording that brings Beethoven out of the lofty portals of his era and into a club where it becomes a singular delight to experience his music, which is what it’s all about no matter which way you look at it; as long as it’s not music by cookie-cutter, which so much music is nowadays. At least Jim Gelcer and Paul Hoffert play music in praise of two famous ghosts without turning it into an unlistenable hodgepodge thanks to some quite inspired arrangements and brilliant performances all round.

Track list – 1: Moon Light; 2: The Other Fifth; 3: Vitamin B51 4: Vitamin B52; 5: Vitamin B53; 6: Vitamin B54; 7: First Path; 8: Second Path; 9: Day Light

Personnel – Jim Gelcer: drums; Paul Hoffert: piano; George Koller: contrabass; Bill McBirnie: flute (1,2,9); Ifield Joseph: guitar (3)

Released – 2018
Label – Centrediscs (CMC CD 25818)
Runtime – 49:17

Based in Canada, Raul da Gama is a Canadian poet, musician and accomplished critic whose profound analysis is reinforced by his deep understanding of music, technically as well as historically. Raul studied music at Trinity College of Music, London and has read the classics, lived and worked in three continents and believes that there is a common thread running through every culture on earth. It is this unifying aspect of humanity that occupies his thoughts each day as he continues to write poetry and critique music. His last book was The Unfinished Score: The Complete Works of Charles Mingus, a book that relocated the life and works of the great American composer and bassist, Charles Mingus, to the landscape of poetry. He is currently at work on a poem of some length.


Please enter your comment!
Please enter your name here

This site uses Akismet to reduce spam. Learn how your comment data is processed.